Liverpool

Liverpool May 2022
Liverpool May 2022
Liverpool May 2022
Liverpool May 2022
Liverpool May 2022
Liverpool May 2022
Liverpool May 2022
Liverpool May 2022
Liverpool May 2022
Liverpool May 2022

Liverpool May 2022
Liverpool May 2022
Liverpool May 2022
Liverpool May 2022

Liverpool May 2022

Liverpool May 2022

all images are copyrighted to janie d photography and may not be reproduced without express permission

all art work remains the property of the artist/s and may not be reproduced without express permission

Tocumwal Lane

Canberra December 2020
Canberra December 2020
Canberra December 2020
Canberra December 2020
Canberra December 2020
Canberra December 2020
Canberra December 2020
Canberra December 2020
Canberra December 2020
Canberra December 2020
Canberra December 2020
Canberra December 2020
h
Canberra December 2020
Canberra December 2020
Canberra December 2020
Canberra December 2020

all images are copyrighted to janie d photography and may not be reproduced without express permission

all art work remains the property of the artist/s and may not be reproduced without express permission

Stencils

24th October 2021
23rd October 2021
Newtown/St Peters 2015
Marrickville (April 2014)
Darlinghurst (January 2013)
Stanmore (October 2012)
Chippendale (May 2012)
Enmore (March 2012)
kings cross (january 2012)
broadway (oct 2011)
newtown (august 2011)
enmore (august 2011)
Broadway (Aug 2011)

all images are copyrighted to janie d photography and may not be reproduced without express permission

all art work remains the property of the artists and may not be reproduced without express permission

Skulk

Newtown (August 2012)
Marrickville (July 2012)
Enmore (June 2012)
Newtown (January 2013)
Newtown (October 2012)
Marrickville (October 2012)
newtown (july 2011)
Newtown (August 2012)
Outpost Project Art from the Streets 2011
darlinghurst (sept 2011)
st peters (january 2012)
Newtown (June 2012)
30th October 2021
Newtown (May 2012)

all images are copyrighted to janie d photography and may not be reproduced without express permission

all art work remains the property of the artist SKULK and may not be reproduced without express permission

5 Questions with FUKT (retrospect)

Love the tag!  Whether people admit it or not, there are those who are liberal with its use and those (although they may deny it) who will “think” it.  How, where and what was the inspiration behind your street-name.

I seem to use the word a lot when I speak.  The name itself also dissuades the art community from trying to recruit my services etc (parasites!)

camperdown (may 2012)

Your work can scale the size of a building through to the tiniest stencil that would go almost unnoticed by the bulk of the non-street population. What provides the stimuli : whether it be words or extraordinary pieces as with “Best We Forget”

Good question.  I sometimes wonder what motivates my work.  When I first started I thought I had to conform to a certain style or path: big stencils & vanilla art. It’s only in the last year I feel that my work is a truthful.  eg: I’m totally cynical, so my work is a reflection of this. I’ve always had strong anti-social tendencies and a history of playing the role of Devil’s Advocate so when I see a proliferation (at least in my own opinion) of cute and safe street art then I can’t help but react and try to do the opposite.

camperdown (sept 2011)

When you see images being posted online by photographers like myself, how does that gel with you as an artists or is it merely a case of “job done…NEXT”

Not quite sure if I qualify as an artist.  I have a backlog of about 30 stencils and another 10 sites to hit, so yes ‘NEXT’ would be an apt description.

chippendale (oct 2011)

Do you find our two worlds collide (ie: personal family man vs street-artist)

Vary rarely, although it can be a pain when I’ve been out til late and my son decides to wake at 7:00am every morning, but I usually forgive him since he’s so goddamn cute!

What would be one of the more profound reactions to a piece that you have had to date

The best reaction (although may be not so profound) was when some random girl showed me her tits and she found I was the person behind the CB paste up

Newtown (June 2012)

In terms of profound reactions, I think my own are  the most important. It’s a good feeling when you see your artwork being copied in various locations around the world. It’s also amusing to realise I am more renown internationally than within my own country.

Newtown (August 2012)

all images are copyrighted to janie d photography and may not be reproduced without express permission

all art work remains the property of the artist FUKT and may not be reproduced without express permission

Sydney Paste Up

Streetart 2021
image ©janie d photography
14th July 2016
image ©janie d photography
Newtown
image ©janie d photography
Random Streetart shot on phone
image ©janie d photography
Random Streetart shot on phone
image ©janie d photography
Newtown/St Peters 2015
image ©janie d photography
Enmore (April 2014)
image ©janie d photography
Enmore (February 2013)
image ©janie d photography
Erskinville (october 2012)
image ©janie d photography
Stanmore (September 2012)
image ©janie d photography
Darlinghurst (June 2012)
image ©janie d photography
Newtown (June 2012)
image ©janie d photography
Enmore (June 2012)
image ©janie d photography
Enmore (April 2012)
image ©janie d photography

5 Questions with Abyss.607 (retrospect)

Do you have another life beyond Abyss.607, and if so, do you feel at times it intrudes on your alter-ego?

It’s given me, I would say, more of a reason to be content with my life.  I skate & play RPG’s.  I spend most of my time alone drawing or painting, so what I do resonates through my art.

What is the inspiration behind your street name?

Abyss is really a visual form that’s reflective and expressive of a lot of my thoughts. Sometimes dark, but not evil; bright but not to burn, and endless with a destination only you can give yourself.

Your work is immediately recognisable and seeing it “in the flesh” (so to speak) is breath-taking.  How long does it take to formulate the concept, identify a location and then complete the process.  And how much of it takes place under cover of darkness?

A lot of the time I see a spot.  I think first of what would be best suited for it: ie. paste up if it’s a busy spot where I’d like to put something nice, or spray paint if I have got the time to cover and do something big. Paste-ups can be really effective on different coloured/textured walls, so sometimes I will make something (specific) for the wall.  My paste-ups are hand painted mostly with acrylic and do take some time to make, depending upon the size.

Pretty much all of my street work is done at night.  I think I’ve only done one outside wall in Canberra where I was commissioned. Mostly I go out alone.  It’s definitely not easy sometimes (eg: rooftops), but I plan out pretty much every spot I choose which will have a story (or reason) behind it. I’m sure a lot of similar artists can relate, but for me personally, it’s more than just a painting.

When you’re out there alone in the middle of the night, it’s one of the times I don’t feel suffocated by the things we are subconsciously fed and think about during the day.  It’s engulfing and free. When you’re jumping into private property, risking your life climbing something, start painting, all the while trying to be quick and silent, having to hide for much longer than you paint: you’re up against so many elements that are otherwise nullified regularly.  It really wakes you up and makes you feel alive.  It uses your senses all whilst being creative.

Nothing beats that feeling. Although it can suck, if you’ve done something good and it’s already buffed when you go to get the flick the next day. A lot of what we express through graffiti, the general public are ignorant of and usually lost under wrongful “vandalism”

When did the Abyss come in to being: was it evolutionary or was it “bang! here it is! let’s do it”?

More evolutionary.  I’ve always been drawing monsters and strange entities.  The main character I do I call “Seers”. They are watchers of time and space, on the walls they guide the heart and the spirit with strength for those who view them with unchained minds.

They also stand as glyphs symbolising our demise, depicting nostalgic ancient art and abstraction warning us of a bleak future if we don’t change for the better.

If you could sum up in one sentence the difference between street-art and capping (so as to educate the uneducated) what would they be?

All I can say is the streets are unrelenting.  Just stay true to yourself and whatever it is you want to accomplish: do it. See ya in the void!